A Conversation With Cathal Coughlan On The State Of Our World Part One

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This conversation was recorded almost exactly one year before the famed Irish artist died on May 18, 2022. We have received many, many requests to hear A Conversation With Cathal Coughlan again. Please note, a Dó, Cathal’s second album with Jacknife Lee as Telefís is available now.   On the release of his much-lauded solo album, Songs Of Co-Aklan, we invited Cathal Coughlan onto Life Elsewhere. It quickly became clear that 60 minutes was not going to be enough time to enjoy what this adventurous musician had to say. Another Zoom session was arranged. Two hours later we had covered a wide variety of subjects, with Mr. Coughlan offering his well-considered opinions. Plus, we ventured to ask the Irish-born musician to select some of his favorite recordings to include in the show. His choices are as eclectic and fascinating as the man himself. Cathal’s passion for music and the artists he talks about is compelling and inspiring. Born and raised in Cork, Ireland Cathal began singing in the late 70s and by 1980 he had met Sean O’Hagan and formed Microdisney. A band that was hard to (thankfully) slot into a nice neat genre. On Discogs, Cathal is described rather aptly, as an anti-Bono. His music and lyrics some may call challenging, I on the other hand was fascinated and loved playing Microdisney alongside the plethora of post-punk-one-hit-wonders that cursed new music in the early 80s. The temptation to slide easily into a lovable New Wave outfit was enough for Mr. Coughlan to see Microdisney dwindle down to a two-piece with O’Hagen and eventually reassemble as The Fatima Mansions, making, splendid yet hard-to-categorize music. The eventual demise of The Fatima Mansions in the mid-90s led to Cathal stepping away from being in a band to releasing solo albums, taking part in collaborations, and making guest appearances. For a while, he was involved in musical theatre, mostly in France. In 2006 he was described in The Irish Times as the ‘genius of Irish rock’.

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